04 May WHAT HAVE THE EFFECTS BEEN OVER WHAT TIMESCALE, WHATS THE SCOPE OF THE POLICY TO ACHIEVE ITS AIMS?
In Chapters 9 and 10 of CI, Sigthorsson and Davies consider the business environment for the creative industries, and they allow us to consider the policy regimes that affect funding for the creative industries. They point out that in todays digital environment all businesses have a media dimension to their operations, and a lot of that is interactive social media and crowd-sourced (cf. Kickstarter.com) co- creation attempts at marketing. How does this policy and business strategy shift in funding opportunities for creatives show other processes at work in the creative industries? For example: processes of (self)exploitation, gender and racial discrimination, work negotiations, monetary and cultural capital accumulation, increasing debt, and seemingly always reactive policy regimes? Looking closely at the policy implications of a specific contexts, take a specific policy regime in creative industries as a case study (for example, the Eurozone, Greenwhich market, London, IP and creative commons, urban regeneration in Barcelona or Mumbai, cultural citizenship policy, arts funding, etc.). In your essay, make sure you answer these questions: What is the scale of coverage of your case study, a city, a neighborhood, a marketplace, etc.? How long has the policy been in effect? Who are the stakeholders in the policy initiative? What are the relations of power implicit or explicit in the policy, what does the policy do to these relations of power? What have the effects been over what timescale, whats the scope of the policy to achieve its aims? What recommendations would you suggest to make the policy and its implementation more effective. Make sure to engage critically with the essential and suggested readings and come up with your own set of policy recommendations that follow from your argument.
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