26 Jun How does Indra Sinhas Animals People function as a counter history (or alternative history) to the official history of the Bhopal disaster? To what extent can this form of “counter-hegemonic” narrative comp
How does Indra Sinhas Animals People function as a counter history (or alternative history) to the official history of the Bhopal disaster? To what extent can this form of “counter-hegemonic” narrative compare with farmers movements like tebhaga and navdanya (see Shiva)? If globalization is a form of ecological imperialism (Shrivastava and Kothari), how does Animals Peoplefunction as an anti-imperial narrative? If novels (and literature in general) are considered a history from below (as opposed to top down methods), how does Indra Sinha achieve this “subaltern” history through his narrator Animal? What is gained and what is lost in fictionalizing the worst industrial disaster that the world has seen?
3. While the Union Carbide disaster precedes the arrival of globalization in India, the Bhopal disaster (as depicted in the documentary) can be an object lesson in what can happen under a neo-liberal regime in which profit reigns supreme. In “A House on Fire,” Shrivastava and Kothari argue, “the lack of regulation is an inevitable consequence of an economy driven by demand” (128). How does deregulation and weakening environmental and social governance (i.e. conflicts of interest, lack of transparency, etc.,) contribute to the disaster in Animals People? What type of justice does Indra Sinha envision for the people of Kaufpur at the end of the novel? How can the lessons from Bhopal make globalization more ethically responsible? How should under-regulated nations (like India or China) balance their development goals and ecological security? What relevance (if any) do recent environmental controversies in Flint, Michigan and Porter
Ranch, California have to global environmental degradation?
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