09 Jun Musical Essay correction
Franz Schubert (1797-1828) born in Vienna is an outstanding representative of the early Romantic music of the West. His work reflects the connection between the classical music tradition of Vienna and the new romanticism of the 19th century. Schubert received a good artistic influence from an early age. When he was 5 years old, he began to learn music with his father. When she was a child, Schubert had an amazing voice and an admirable tone. In 1808 he was admitted to the boarding school of the church and became a small singer in the Children’s Choir of the Palace Theatre. In the boarding school, Schubert studied many professional courses, went to the theater to listen to opera, and contacted many works by Mozart, Haydn, and many other composers. In his short life, he has produced more than 600 artistic songs, making a big contribution to the development of art songs. I will analyze String Quintet in Cmajor.
String Quintet in C major is one of his chamber music work, created in the last year of his life -1828. This quintet uses two violins, one viola, and two cellos. This arrangement makes the bass of the music enhanced. The two cells are also Dialogues can be made, and the interlacing of sounds between different instruments becomes complicated. It is the treasure in chamber music, both in terms of writing skills and spiritual. It is often commented on Schubert’s greatest chamber music in his later years.
The D.956[footnoteRef:2] is compiled with a cello in addition to the string quartet. This arrangement makes the bass of the music enhanced, and there can be a dialogue between the two cellos, so the melody of the symphony in D.956The proportion has increased significantly, and the vernacular says that the sound interlacing of different instruments becomes more complicated. [2: Rick Anderson. Reviewed Work: String Quintet, D956. 2005]
The string quintet consists[footnoteRef:3]offourmovements in the usualquick-slow-scherzo-quick pattern: [3: William, Brown. Menahem Pressler: Artistry in Piano Teaching. Indiana University Press, 2009.]
1. Allegro ma non troppo
2. Adagio
3. Scherzo. Presto – Trio. Andante sostenuto
4. Allegretto
The first movement of the “C major string quintet” is composed of a sonata style. The quintet opens with an extremely expansive movement compare with other late Schubert works. The length of Allegro is over one-third of the total length of the piece around 50 minutes. The exposition lasted 154 measures and began with a wide range of C major chords. Schubert presents his unforgettable harmony, well-contoured melody and without regular rhythm pulses. This is followed by music leading to a second contrasting theme with gradually increasing motion and tension. In the E-flat accidental key, it is introduced into the duo between the two units. This part ends with a dominant (G major) chord that naturally returns to the open pitch chord when it repeats. After the World Expo re-enactment, Schubert adjusts the development part, from G major to A major. The music is in the form of Allegro, but the music does not feel very fast at the beginning of the music. Therefore, in the structure of the music, it is possible to create an illusion that this is the introduction of the first movement, but from the subsequent development of music. In the middle, we can deny this illusion.
The second movement is Adagio, showing a romantic feeling like a poem. It is very long (more than 14 minutes), which is roughly the same length as the first movement without the presentation. Representing the three paragraphs of the trilogy of the three-part A-B-A in sharp contrast. The first stage is played with the intensity of pp. The theme of E major is quiet and full of affection. On the gradual theme, the homophones of the first violin repeat and jump into the sound pattern as if expressing a kind of sadness and screaming. The middle section uses ff and f minor to form a strong contrast with the head and tail. The powerful chords and sorrowful theme melody together form a nearly heartbreaking, painful and rebellious passage, showing the West. The thought, emotion and artistic tendency of music in the early period of romanticism.
The third movement is quite long, contrasting with the soft movement, its structure is huge, unrestrained, from time to time reminds people of the horn of hunting. This movement consists of three parts, the first and last two parts of the singer 3 and the middle of the three middle, the singular theme melody developed on the basis of a hunting horn-like motive, the symphony band on the adapter Thinking makes the music grand and lively and lively. The most prominent feature of this movement is its three middles: First, Schubert pioneered the slow three-sound middle with a 4/4 beat; secondly, the three middles of the movement echoed the soft board. The squeaky Presto goes to the ongoing board (Andante sostenuto), the music is full of mystery, like funeral music or thinking like a person, this music is reminiscent of the medieval church The sacred music in the music, as well as the music played by the organ. The main tonality of this movement in C major and its curved structure is a complex trilogy.
The fourth movement of the music structure Thefourth movement uses the speed of Allegretto instead of Allegro, the beat is 2/2, like the “a minor quartet”, with a more brisk atmosphere, it is brisk The bright musical mood also expresses the tension accumulated in the previous three movements. Through the analysis, the author defines the type of the music structure of this movement as a revolving sonata.
Schubert lived in the intersection period of classicism and romanticism and was also a giant of classicism music and a pioneer of romanticism music. He emphasized the expression of personal emotion, sought for the liberation of personality, and at the same time pursued the spiritual creation of free mind and free imagination. The thought of the romantic composer emphasizes individuality, attaches great importance to personal emotion and creativity. He not only absorbs the creative techniques and experience of predecessors but also forms his own unique music style by combining his own thinking mode. As a late music work of Schubert, the string quintet in C major inevitably shows the combination of these two music styles in its music. It not only reflects Schubert’s inheritance and innovation of classical structural art but also heralds the arrival of a new romantic era. But for many classical music viewers, I can’t hear why this work is great, and I don’t even think it is a piece of sweet music. Compared to Schubert’s other quintet “Squid”, the popularity and popularity of this D.956 is probably far away. In fact, I think that the biggest obstacle to appreciate this work is that there is less “song length” and “singing melody”, so if you start listening from the beginning, you will find it difficult to get into the ear, and your attention will soon dissipate. But if you have the proper guidance, you can grasp the focus of the music. Once you hear them, I think you will love this piece.
Bibliography
Robert Anderson. “String Quintet in C d956.” The Musical Times 124, no.1680 (1983): p.108
Robert Anderson. “String Quartets Nos 9-13.” The Musical Times 111, no.1534 (1970):1235-1236
Stanley Sadie. “String Quintet in C, Op 37 no 7.” The Musical Times 109, no.1505 (1968): 640William Kinderman. 19th-Century Music. Vol. 21, No. 2. pp. 208-222, 1997
Tempo. New Series. No. 123, p56-58, 1977
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